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莫迪（乔尔·巴斯曼 Joel Basman 饰）出生在一个非常传统的东正教家庭之中，父亲掌管着一家庞大的公司，莫迪是这家公司唯一的继承人。莫迪是那种一眼看上去就能够识别出来的犹太人，在家里，他也一直扮演着乖宝宝的角色，对古板而又虔诚的母亲（松妮·梅勒斯 Sunnyi Melles 饰）言听计从。 时光飞逝，莫迪眼看着就要到了应该成家的年龄了，母亲开始张罗着给儿子相亲，然而，莫迪对母亲介绍的这些女孩完全不感兴趣。在这个节骨眼上，一个名叫劳拉（诺埃米·施米特 Noémie Schmidt 饰）的姑娘出现在了莫迪的生命里。劳拉开朗热情又美丽，一下子就击中了莫迪的心，然而，劳拉并非犹太人，两人的感情注定会受到莫迪母亲的反对。。In 1953, Mamadou Touré directed Mouramani, a film considered as the first ever made by a black French-speaking director. However, the mystery remains. No one knows where to find a print, neither if one even exists. Au cimetière de la pellicule is the search for that film, and an ode to cinema, both the kind we watch and the kind we make. A road movie from east to west, north t...。When he learns his days are numbered old count Hervé de Kéraudren decides to hide in a secret alcove and to die there, just to annoy his heirs. As a result of his body not being found the latter will have to wait for five years until they can inherit the count's money. Very upsetting indeed, all the more as they are required to keep up the Kéraudren estate in the meantime. To collect money, nephews and nieces organize a Son et Lumière show at the manor while busily looking for the missing corpse. But, unexpectedly, they get killed in turns. Murders or accidents? Jean-Marie, his fiancée Micheline and his cousin Edwige investigate and finally succeed in exposing the culprit. And, the count's body being found by chance, all goes back to normal.。