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五岁的陶陶是个聪明活泼而又调皮的男孩。他平时最喜欢看的电视节目是五岁女孩罗贝贝唱歌，贝贝的眼睛又大又亮，歌声甜美，陶陶梦想着能见到这个电视小明星。 陶陶因搬家转到了新蕾幼儿园，不想罗贝贝就与他同班。他高兴极了，上前讨好贝贝，却因太莽撞惹得贝贝不高兴了。 小朋友们推选罗贝贝参加小歌手比赛，可贝贝却闷闷不乐，不但歌唱不好了，连眼睛也不亮了。细心的陶陶开始观察贝贝为什么不高兴。他发现只有爸爸一人来接贝贝。他想尽办法逗贝贝开心，他的关心赢得了贝贝的信任，贝贝告诉他，自己不快乐是因为父母吵架了，妈妈已经好几天没回家了。 陶陶心事重重地回到家，在爸爸的帮助下，他找到贝贝妈妈的电话号码。陶陶带贝贝给妈妈打电话，贝贝听到妈妈的声音终于露出了笑脸。 贝贝爸爸来到幼儿园，邀请小朋友们到家里为贝贝过五岁的生日。推开家门，贝贝看到妈妈已经回到家里，高兴地扑进妈妈的怀里。 小...。居住在法国南部乡村的老人保罗，在一个暑假突然迎来了三个不速之客——来自巴黎的外孙女和外孙。认知的分歧加上与女儿多年的失和让保罗与三个年轻人难以顺利相处。祖孙几个你来我往地过招，外婆不停从中调和。在不知不觉中保罗与外孙们的感情距离拉近了。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。